![]() His initial experiments in the 1960s, cutting his teeth as a DJ around underground dance clubs Salvation II, the Haven and the Sanctuary, took place without any way of hearing the next track while lining it up.Īt some point in the early ’70s he grew weary of this slapdash approach, and began using a custom-built stereo mixer which allowed him to listen to a separate cue mix on headphones without affecting the sound going out over the club’s system. The evolution of mixer technology dovetails with the historical development of new techniques, the emergence of new musical genres and the increasing power of audio processing technology.īrooklyn “go-go boy” Francis Grasso is widely credited as the first DJ to successfully attempt what we now understand as mixing, first extending records by playing two copies back to back, then eventually segueing between them on Rek-O-Kut and Thorens turntables. The sound of a filter or the placement of a crossfader are ruthlessly scrutinised. Tiny details can make or break a model – or even an entire company, should they lose a step. Whereas the first wave of models did absolutely nothing more than blend signals together – which remains true of some modern descendants – the spiritual importance that began to percolate around DJing helped to propagate the idea that mixers can somehow get those in control of them closer to sonic perfection. ![]() Mixers are, at their most simple, a way to bring the best out of the sound feeding through them.
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